In Cinema Paradiso, kids couldn’t wait for the opening credits to start dreaming. In my case, there were tons of kids, in open seating on open graves with projected images on neighbor’s wall. The alley zigzags and the screen was kind of slanted. Since my cousin’s home movies were a rare treat, beggar can’t be choosy. His work for our National Film Department afforded us VIP movie premiere and sneak peek for the entire hood of District 3, back then Saigon.
Since those showings were sporadic, during the week, I sneaked in, free admission, to our uncle’s cinema for additional fix: blind sword man, Woodstock the movie, and Alain Delon. Local movies were rare, so Viet films featured Thanh Lan (her cautious step into the slippery pool causes loud banging on cinema cheap wood, Kieu Chinh, Doan Chau Mau, Le Quynh and Loan Mat Nhung, our Jean Paul Belmondo in our own “breathless” scene).
And so it went. My Cinema Purgatory. No adult mentor, no role model. Kids ran amok. Smoking on the roof, in the alley and God knows where (cigarettes sold in open pack). Find something to amuse yourself with. Stop hanging out with the Franco-Vietnamese girls. Here, the guitar.
“Oh! mon amour écoute-moi. Déjà la vie t’attends là-bas. Non n’ai pas peur il faut me croire. La vie est belle même sans mémoire. Tu sais je te raconterai. Avec le temps tu comprendras“. Vinh Loi cinema was hang out place for French gay men.
Dreams. Projection and self-projection. Mirror and screen. A dissolve or slow pan, then sideways swipe at the speed of light… 50 years from screen Left to screen Right. Purgatory isn’t long, after all. In slow motion. In the cloud or in one’s head.
All off-line memories will soon be lost when we are no more. (btw, AI is external, outside our heads, and its recommended patches of memories weren’t without motive i.e. you are what you own). Now a word from our sponsor to reiterate the underlying theme: own more, live better.
Time. Elapsing. Calm and courant. It’s up to you to be, become more fully and independently. With privacy, legacy, inheritance, identity as an individual or a group. Even the cinema as a genre tends to morph and bleed into “dinner theatre”. For fear of being irrelevant in the heap of history, rich people donate to keep their good-and-buffed-up names going e.g. foundation, grant, scholarship, sponsorship, donorship and dedication e.g. Tobacco princess, Railroad king, Cotton King etc..
Of late, films are impatient for fear of extinction too (partly due to our ever-shortened attention span, partly due to over-supply). As Peter Thiel said “we wanted flying cars. Instead, we got 140 characters”. Time and traffic in films are compressed e.g. jump cuts to car pile-up or foreplay scene. Roy Sneider and Steve McQueen, all cops’ chase. Cars used to be made of Pittsburg steel.
Boom! Right after “Directed by…” to establish the context. First scene would show shaky hand-held medium shots of couples making out and making love, under and over the sheets.
Heaven can’t wait in Euro or American movies. In post Reality TV and real time TikTok, no one wants to produce Jeremiah Johnson (the late Robert Redford) wandering in the wilderness, eating out of his hunt (comment by its producer Sydney Pollack).
I watched Sugar Hill last night, to my amazement and on the eve of MLK Day (only Wesley Snipes could get away with pimp-looking purple suits).
Early 80’s (“Who am I to disagree??”) saw on and off-screen instances of Yellow Peril, from Detroit to the Gulf States, from Rising Sun to Gung Ho, with Michael Keaton carrying his goldfish instead of Bankers box when his Japanese-run factory job was no longer.
All threw darts at that decade’s new “bad guys” (65’s Watts had been behind, then came the 70’s with Black visibility and resurgence in the person of Lionel Richie: “All night long” with Prince Phillip at 84 LA Olympics closing ceremony.)
In Carter’s term, malaise: “buying things we don’t need, with money we don’t have to impress neighbors we don’t like”.
In contrast, Asian automobiles (remember the Datsun), Asian fishermen (Viet refugees) and Japanese tour via Beverly Hills on route to Las Vegas… (tons of folded maps, showing homes of the stars, only to get a glimpse of Hollywood Boulevard sidewalk). Due to asymmetrical exchange rate, the yen enabled Jap’s buy-off sections of Wilshire Boulevard, where hotels turned Telco co-location data centers (and DJT worried about Real Estate down slump in NYC, on Today’s Show, talking to an audience of at least 60 million – the other runner up was Good Morning America, another LOP – least objectionable program).
Bachelor parties in lay-off Detroit? Hit him son. The bottom fell out in Detroit for father and son.
Both instances, My Lai and Vincent Chin (who wasn’t even Jap), perpetrators got away with little time served. A slap in the hand and a slap in the face of justice. I save that for another day.
Just want to acknowledge Chinese American from laundromat and Hell Kitchen (yours truly know a little bit about Chinatowns throughout the US due to my stint at MCI International) to literature (Ha Jin’s Waiting) to film (Rush Hour), from Bruce Lee to James Hong, from cuisine to chip manufacturing, as Harold Evan coins it: from Steam engine to Search engine (on this note, watch out for Chinese AI).
When a minority, one gained strength in numbers, lumping nearby ethnic groups into a monolith voting bloc (they can’t kill us all!) e.g. Hispanic Republican? or like earlier European emigrants inching alongside Blacks and Jews earlier comers. Then the children of their children refuse the label. Mainstreaming and live streaming, 140-character tweet and daily podcast. Technology-enabling and equalizing social effect on social media. From mass media to atomized mix use “phone” in the hands of the “people”. All stove pipes. Alone together again, by design.
We’re the people. We’re the world. We’re the children (of whom?). Million-men march? Even then and there on the National Mall, everyone who protests would be looking at the small screen via livestream. It was wild. Unthinkable. Out there (protest tends to happen in January freaking cold) one has to climb the electrical pole for a better view, like us, kids, at Cinema Purgatory tomb.
It’s been fair to say, Vietnamese American, although late to the party, have had a hand in many pots, even the melting pot: engineers and dentists, MIA’s and MBAs (married but available….). We don’t dance, don’t fabricate IEDs on Iraqi roadside (improvised explosive devices), and certainly don’t stuff ourselves with fast food (except for Costco pizza). Just working two shifts Silicon Valley electronic assembly to send our kids to Med school and pharma school.
Always buy by the bulk. Always loyal to clan-man ship, temple and church, Tet Festival and Mid-Autumn Festival, following the footsteps of previous waves of “Asian American”. Lots of literature as we cannot wait to tell our untold tales (Unwanted? the Sympathizer). Numbers don’t lie. Just look at remittance over half-century! Out of the goodness of our hearts, we make sure folks back home don’t dumpster dive for food.
If you scrolled down to my other blog “Our secrets”, you would find my mentioning the Deer Hunter. On this side of the Pacific, blue-collar vets also suffered PTSD, albeit taking it in stride, if the job and spouse were still waiting. Other times, jobs were out-sourced then compainies “in-sourced” immigrants to take “white” jobs. (Swing vote, Kevin Costner).
“Hey, if you need help tonight…(on John Savage wedding night), don’t’ hesitate to call”, says Cazale (his fiancée in real life, Meryl Streep, played the bride maid in that flick). the Deer Hunter.
Asian banter too. We just keep a low profile often times mischievous and incognito. See the Quiet Vietnamese, my other blog (many felt right at home behind a mask during covid). Don’t make waves. Don’t dance and don’t go to bar for Bachelor party. Not in today’s Minneapolis or Detroit. Mistaken identity happened before and will more than likely to happen again.
If you made movies e.g. “Who killed Vincent Chin”, be sure to work from your characterization out, one layer at a time. Use flashbacks in black/white, “Asian” ancestors working the railroad line etc…. dissolve to the present while reflecting on mirror, with make-up and special lighting (various skin tone reflect light differently). IP man, Crazy Rich Asian and Gangnam will fade out. Good characters and story lines endure e.g. Shanghai Triad.
Just know how hard and how long it has been for Bollywood to trek to Hollywood. In Rush Hour or any hour.
My advice. Just drop it. Some technologies are too risky and capital intensive. Films are trekking on its last leg (decline phase of product cycle i.e. empty AMC dinner-theatre). Good riddance to John Yang of PBS weekend. Nice work of journalism and public service.
Rest of us and rest of the time. Until we prosper and are more confident, with critical mass of a buying club e.g. Swiss privacy, Amsterdam liberal, Taiwanese chip, then only then, the group would achieve bargaining power.
Even without the hood/mask over our head/face. Another earlier group already claimed IP rights to it (knight in white hood). Just check with Asian American in the early 80’s, in Detroit or Gulf Coast. BTW, yours truly was so clueless, that upon re-entry from Relief work in Asia, hearing “sweet dreams are made of this”, I auditioned for the role opposite Ed Harris (who plays a Klansman in Alamo Bay), with our own Le V Khoa playing a provincial and protective priest.
Oh well, back to the screen, but not in open seating in open air on someone’s grave. Unlike that Italian lonely kid who was shown around by the town projectionist, we had our unforgettable times at Cinema Purgatory (even eye-witnessing the burning monk a few blocks away) very noisy anticipating the start of cheap home movies. For a moment we forgot the reality of death to cheer and wow at wedding vows, my cousin’s, on screen.
25 years later, I returned to visit that same cousin. With time passed, he told me (like a movie director he wished to become) to swing by the elementary school, the neighborhood and the alley. He just stopped short of laying the same Cinema Paradiso soundtrack for my return visit. They cleared the long tombs for crowded living space. Then when my cousin got a tourist visa to see America, I reciprocated, driving him and his wife on a tour of where else but the Hollywood sidewalk.
At Cinema Purgatory, there was no admission tickets nor indulgence. No mass conversion like at a Billy Graham stadium crusade. Only entertainment, on mass graves free of charge.
Nowadays, the price of admission is attention and interruption for programmatic and predictive AI ads, showing chirpy, flickery images of 1s and 0s reproduction of Breathless, whose actors read out loud Faulkner’s closing: “between grief and nothing, I chose grief”.
At AI cinema, unlike Cinema Paradiso, nor Cinema Purgatory, we see no kids around, watching at will, any time, all alone, again, naturally.