Fateful beach

When I heard that the beach (Vung Tau) was overcrowded during the long Tet holidays, I tried to imagine the sand, the surf and the separation (forced) I endured years ago.

We drove through neighborhood barbed wires and violated curfew, the day before Saigon fell, to spot escape routes.

I tricked my family into stopping along the way: my friend’s house (on pretext that we needed extra supply of fuel) to bid farewell. I couldn’t spell out why we had to leave much less where we were heading, except that there would be boats waiting further down the Delta, we hoped.

Earlier in the day, we did try the airport and US embassy to no avail (an uncle with proper visa got hauled over the barbed wires by the Marines to eventually board precious Frequent Wind‘s helicopter).

(see Last Men Out for eye-witness blow-by-blow accounts ).

Out of the corner of our eyes, we spotted a convoy of unmarked buses (Frequent Wind plan B contractors). Our petit Simcar immediately tailed the convoy whose eventual stop was the No 5 dock, just a few kilometers from today’s Thu Thiem Tunnel. Before we knew it, we had junked the car with extra fuel in it to climb over the sandbagged side of a barge. That barge got towed as soon as it was filled with clueless people like ourselves.

That river always required skilled navigators, one of whom was my friend’s dad. They had it all at their disposal to flee Vietnam had they chosen to. Instead, we were the ones who bid good-bye after taking his can of gasoline.

In the middle of the night, the tow-head left us with mere sandbags to fend for ourselves.

At dawn, it returned to continue on to International waters, where the 7th fleet was spreading out in formation over the curved horizon, out of firing range.

Neighbor boats got hit, then exploded,  Hollywood 3-D style.  That boat carried Chu Tu, one of our best social writers at that time. Choppers covered the sky like arrows in Gates of Fire (we fled in the shade then).

That morning rain was our supply of water, and Vung Tau, to this day, still was from my point of view, a D-day reversal. “Ain’t no sunshine” then.

Only rain and tears. Currency wiped out, flags down, guns dropped and choppers abandoned.

In the back of the war ship that we eventually boarded, a man sat tossing worthless money into the seven seas, as if performing a burial rite (he would have preferred rice over money). I couldn’t remember a word during the 4-day ordeal, except for a neighbor, in flight suit, asking me for a change of civilian clothes to help him blend in.

Premier Ky perhaps was on that same ship, whose milk supplies sustained many hungry children.

When we finally reached shores, a priest and a nun had already stood there to hand out sandwiches and coca colas.

My brother to this day still smells the taste of that ham sandwich (perhaps cost up to ten bucks, Pentagon‘s pricing), which sure tasted like honey in the desert.

He was a pharmacist but got drafted during the war to train military x-ray technicians.

Like a movie’s trailer, he now retires but has never returned to visit Vietnam or Vung Tau.

Unlike his youngest brother, me, who couldn’t wait to live out my life script (my last Tet in Saigon was 36 years ago hence a lot to catch up) except for Vung Tau.

I felt reluctant to go back where I had sat down and wept (by the River of Babylon…..) on my first trip back.

Today’s Vung Tau and Can Gio River are still opened to containers and cargo ships. Perhaps the winding topography still creates strong demand for skilled navigators, successors of my friend’s dad. But for me, one blind trip out was more than enough.

That trip stripped me not of weaponry (as some people were  so required to set foot on a US war ships), but of everything that constituted me: my home, relatives, neighbors and friends.

I was on the losing side, yet at Penn State a few months later, I joined in to chant “push them back, way back” at home games.

Friends in fellowship groups weren’t sure how to “place” me. “And there he was this young boy, ” who could at one moment “strumming my pain with his fingers”, then at another, struggled with his required readings.

For years since, from Palm Spring to Palm Beach, I have tried to live down that painful past. “Push them back, push them back, way back”. ” And he looked right through me as if I wasn’t there”.

Those who had never left everything for the unknown would never understand.

So I thought I could be of  help. There I was, organizing makeshift concert in an over-crowded refugee camp in Hong Kong, to help relieve the stress I had come to know too well.  “I walk alone in the middle of the sunset”. I hoped people there realize that out in the open seas, there were those with open hearts. For we all shared and surfed away from that fateful beach for unknown shores.

Watching Victor Vu’s film

The Coke, (pop) corn and cinema.

Heroes of Destiny.

Boom, bang! karate kid! Justified violence (revenge).

Boy meets girl, boy almost loses girl, boy gets girl in the end. Happy Ending.

When the bewitched Empress released her grip, she broke the chain of self-perpetuated violence.

It’s like cutting the credit card when you  are a shopaholic.

Blood-thirsting regime shed more blood to solidify power (the East was used to “Chu Di Tam Toc” i.e. wipe out the enemy’s descendants down to the third generation.)

We got some humor and and we got the resolution (breaking the chain).

As Vietnam‘s m0vie-going is improved, so has its film industry.

More investors and actors take a plunge, as barriers to entry are much lower than in Hollywood.

Valentine should see another date movie (the horror genre): House in the Alley.

My cousin used to work in Vietnam’s film industry. We used to get invited to premiers at Rex cinema.

Back then, actors all lined up to greet guests on the red carpet.

We had our own version of Brigitte Bardot (without Jean Paul Belmondo) in Tham Thuy Hang, and many generations of comedian. Still, the industry was in its infancy. By the time it matured, technology has moved on to home theatres and small screens.

It’s an act of love and faith to plunge deep into movie making in Vietnam.

I admire the efforts such as Norwegian Wood.

You can’t get a flatter world than that: Beatles’ title, Japanese novel, Vietnamese mis-en-scene talent.

Victor Vu started out with horror genre, then moved on to action flicks.

He used Matrix and X-men special effects throughout his work.

But definitely, you know it’s a Vietnamese story: Nguyen Trai‘s sole surviving descendant seeking revenge and restoration to the family’s name.

Part philosophy, part action (but not mindless); settling then stirring.

It’s entertaining, but not surprising.

What surprised me was the setting (Parkson) and the friendly greeting when we exited the premise. In the States, you are lucky if they show you out to the right exit.

I hope producers and directors find strong materials and backing to ride the waves of change (low barriers of entry, yet declining ticket sales). I know we have yet told stories like the Fall of Saigon, Last Men Out, and A Day in the life (of successful Vietnamese immigrants). Before you know it, the digital generation is taking over, with fuzzy memories of how they have come to be who they are, with Ipad and Iphone.

No wonder why Steve Jobs commissioned his biography, “so my kids understand what I was doing”. Il’etait une fois……Once upon a time…..Everybody loves a good bed-time story, well-crafted and well- told. Victor Vu’s that I saw today luckily did not put me to sleep.